{"id":971,"date":"2019-11-22T20:34:23","date_gmt":"2019-11-22T19:34:23","guid":{"rendered":"http:\/\/bozon2x.be\/blog\/?page_id=971"},"modified":"2019-11-26T10:59:12","modified_gmt":"2019-11-26T09:59:12","slug":"preface-au-manuscrit-de-tchernobyl-par-david-di-nota","status":"publish","type":"page","link":"https:\/\/bozon2x.be\/blog\/preface-au-manuscrit-de-tchernobyl-par-david-di-nota\/","title":{"rendered":"Pr\u00e9face au Manuscrit de Tchernobyl, par David di Nota"},"content":{"rendered":"

Impossible de lire ce roman sans entrer soi-m\u00eame dans un \u00e9tat d\u2019\u00e9bri\u00e9t\u00e9 lexicale, ou, mieux encore, dans un \u00e9tat de franche euphonie. Un grand livre fait de vous une autre langue \u2013 c\u2019est en ce sens qu\u2019il vous parle. Que cette langue soit tout enti\u00e8re litt\u00e9rature, qu\u2019elle fasse vibrer comme en \u00e9cho le meilleur de notre tradition litt\u00e9raire, voil\u00e0 qui explique le myst\u00e8re, la joie, la cadence et l\u2019importance de Nunzio d\u2019Annibale. Dr\u00f4le d\u2019autobiographie que ce roman monde, dr\u00f4le d\u2019oreille interne que cette captation ouverte \u00e0 tous les vents, mouvement que rien n\u2019arr\u00eate puisque le rien en est le moteur central. Comme tout est d\u00e9j\u00e0 d\u00e9construit d\u00e8s le d\u00e9part, nul besoin de jouer au philosophe : on recueillera plut\u00f4t ce rien en \u00e9crivain<\/i>, avec la pr\u00e9cision in\u00e9galable du voyeur et le sens rythmique non moins pr\u00e9cieux d\u2019une oreille bien n\u00e9e.<\/p>\n

\"\"<\/a>Sc\u00e8nes, personnages, souvenirs d\u2019enfance, tout est l\u00e0 \u2013 pr\u00e9cision \u00e9loquente formant contraste avec le grand d\u00e9sordre du monde. Non que le sujet soit en rien sup\u00e9rieur au monde dont il per\u00e7oit d\u00e8s le d\u00e9part la vacuit\u00e9 constitutive ; il se trouve simplement que la mise en miroir du monde \u00e9clat\u00e9 et du sujet sans origine compose une authentique oeuvre d\u2019art. Quelle science de la sc\u00e8ne et du d\u00e9tail, quel magnifique portrait de femmes, sans parler de l\u2019enterrement de l\u2019oncle, sans parler de la sc\u00e8ne inoubliable qui relie \u2013 ou ne relie pas \u2013 le p\u00e8re au fr\u00e8re, le p\u00e8re au fils, et le fils \u00e0 la m\u00e8re. Mais surtout, quelle ironie tactique. Aux injonctions identitaires r\u00e9pond la rouerie joycienne du fuyard. Aux foutraqueries fascisantes de l\u2019un r\u00e9pond la d\u00e9brouillardise comico-desp\u00e9r\u00e9e de l\u2019autre, juif errant dans les d\u00e9combres d\u2019un thriller politico-m\u00e9taphysique qui n\u2019\u00e9pargne rien ni personne, ni la famille d\u00e9compos\u00e9e, ni la sexualit\u00e9 dite humaine, ni la m\u00e9lasse sacrificielle du politique dans laquelle il nous est donn\u00e9, comme on dit, de vivre.<\/p>\n

Ce livre est le contraire d\u2019un exercice de style. Sa force et sa vitalit\u00e9 proc\u00e8dent d\u2019un examen chirurgical de ce qui constitue l\u2019ordinaire de la vie, une vie restitu\u00e9e dans sa cocasserie d\u00e9solante, son cheminement pour rien, ses impasses \u00e0 n\u2019en plus finir. On lira ce roman comme un pr\u00e9cis d\u2019erreur et d\u2019errance \u00e0 la mesure de l\u2019enfance elle-m\u00eame, enfance dont le narrateur nous restitue sans chichis ni trompettes la trame fonci\u00e8rement d\u00e9traqu\u00e9e. Dr\u00f4le de \u201ctralalangue\u201d<\/i> que cette langue sans tralalas qui \u00e9claire le fran\u00e7ais d\u2019une crudit\u00e9 nouvelle. Gargantua, <\/i>Simplicimus, Tristram Shandy, Finnegans Wake, Paradis,<\/i> oui, oui, bien s\u00fbr \u2013 mais pas seulement, et tout est l\u00e0.\u00a0<\/span><\/p>\n

On ne saluera jamais assez l\u2019ambition d\u2019un \u00e9crivain qui reprend la question du parl\u00eatre<\/i> \u00e0 la racine. On ne saluera jamais assez l\u2019ambition d\u2019un inconnu qui, non content de mener la guerre comme il l\u2019entend, triomphe \u00e0 sa mani\u00e8re<\/i> de l\u2019universelle duperie. Fin de la litt\u00e9rature, fin de l\u2019art, que de fadaises depuis que les Trissotins de la Culture se piquent d\u2019expliquer l\u2019\u00e9tat du monde. Le commerce a tout emport\u00e9 sur son passage ? La poubellification a mis un terme \u00e0 la possibilit\u00e9 m\u00eame de la litt\u00e9rature ? Beckett, dernier des Mohicans ? Eh bien non. Tout recommence. Tout recommencera toujours. Et quelle meilleure nouvelle que ce vertigineux constat : lecteur, tu tiens entre tes mains un vrai roman.\u00a0<\/span><\/p>\n

David di Nota<\/strong><\/p>\n

\"\"<\/a><\/p>\n

(David di Nota<\/a> est un \u00e9crivain, essayiste, dramaturge et danseur fran\u00e7ais, n\u00e9 en 1968. Dernier ouvrage paru :\u00a0<\/span>Ta femme me trompe<\/i>, chez Gallimard<\/a>)<\/p>\n

\n

Le Manuscrit de Tchernobyl
\n<\/b>Nunzio d\u2019Annibale
\n180 pages
\nISBN : 978-2-931067-01-7
\n18 euros
\n\u00c0 para\u00eetre le 29\/11\/2019<\/p>\n

EXTRAIT DISPONIBLE ICI<\/span> :\u00a0MANUSCRIT-TCHERNOBYL-EXTRAIT<\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Impossible de lire ce roman sans entrer soi-m\u00eame dans un \u00e9tat d\u2019\u00e9bri\u00e9t\u00e9 lexicale, ou, mieux encore, dans un \u00e9tat de<\/p>\n","protected":false},"author":10,"featured_media":973,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"class_list":["post-971","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPr\u00e9face au Manuscrit de Tchernobyl, par David di Nota<\/title>\n<meta name=\"description\" content=\"Impossible de lire ce roman sans entrer soi-m\u00eame dans un \u00e9tat d\u2019\u00e9bri\u00e9t\u00e9 lexicale, ou, mieux encore, dans un \u00e9tat de franche euphonie. 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